Everything about Thomas Nashe totally explained
Thomas Nashe (November 1567 – c. 1601) was an
English Elizabethan pamphleteer, poet and satirist. He was the son of the
minister William Nashe and his wife Margaret (née Witchingham).
Life and career
Little is known with certainty of Nashe's life. He was baptized in
Lowestoft,
Suffolk. The family moved to
West Harling, near
Thetford in 1573. Around 1581 Thomas went up to
St John's College, Cambridge as a
sizar, gaining his
bachelor's degree in 1586. From references in his own polemics and those of others, he doesn't seem to have proceeded
Master of Arts there. Most of his biographers agree that he left his college about summer 1588, as his name appears on a list of students due to attend philosophy lectures in that year. His reasons for leaving are unclear; his father may have died the previous year, but
Richard Lichfield maliciously reported that Nashe had fled possible expulsion for his role in
Terminus et non terminus, one of the raucous student theatricals popular at the time. Some years later,
William Covell wrote in
Polimanteia that Cambridge "has been unkind to the one [ie,Nashe] to wean him before his time." Nashe himself claimed that he could have become a fellow had he wished (in
Have With You to Saffron-Walden).
Then he moved to
London and started his literary career in earnest. The remaining decade of his life was dominated by two concerns: finding an adequate patron and participating in controversies, most famously with
Gabriel and
Richard Harvey. He arrived in London with his one exercise in
euphuism,
The Anatomy of Absurdity. His first appearance in print was, however, his preface to
Robert Greene's
Menaphon, which offers a brief definition of art and overview of contemporary literature. After this (and the publication of
Anatomy) he was drawn into the
Martin Marprelate controversy on the side of the bishops. As with the other writers in the controversy, his share is difficult to determine. He was formerly credited with the three "pasquil" tracts of 1589-1590, which were included in R. B. McKerrow's standard edition of Nashe's works: however McKerrow himself later argued strongly against their being by Nashe. The anti-Martinist
An Almond for a Parrot (1590), ostensibly credited to one "Cutbert Curry-knave," is now universally recognized as Nashe's work, although its author humorously claims, in its dedication to the comedian
William Kempe, to have met Harlequin in
Bergamo while returning from a trip to
Venice in the summer of 1589. However, there's no evidence Nashe had either time or means to go abroad, and he never subsequently refers to having visited Venice elsewhere in his work.
In 1590, he contributed a preface to an unlicensed edition of
Philip Sidney's
Astrophil and Stella, but the edition was called in, and the authorized second edition removed Nashe's work.
At some time in the early 1590s Nashe produced a pornographic poem,
The Choice of Valentines, possibly for the private circle of Lord Strange. This circulated only in manuscript.
His friendship with Greene drew Nashe into the Harvey controversy. In 1590, Richard's
The Lamb of God complained of the anti-Martinists in general, including a side-swipe at the
Menaphon preface. Two years later, Greene's
A Quip for an Upstart Courtier contained a passage on "rope makers" that clearly refers to the Harveys (whose father made ropes). The passage, which was removed from subsequent editions, may have been Nashe's. After Harvey mocked Greene's death in
Four Letters, Nashe wrote
Strange News (1593). Nashe attempted to apologize in the preface to
Christ's Tears Over Jerusalem (1593), but the appearance of
Pierce's Supererogation shortly after offended Nashe anew. He replied with
Have With You to Saffron-Walden (1596), with a possibly sardonic dedication to
Richard Lichfield, a barber of Cambridge. Harvey didn't publish a reply, but Lichfield answered in a tract called "The Trimming of Thomas Nash," (1597). This pamphlet also contained a crude woodcut portrait of Nashe, shown as a man disreputably dressed and in
fetters.
Alongside this running dispute, Nashe produced his more famous works. While staying with
John Whitgift at
Croydon, he wrote
Summer's Last Will and Testament, a "shew" with some resemblance to a
masque.
In 1593 he published
Christ's Tears Over Jerusalem, dedicated to Lady Elizabeth Carey. Despite the work's apparently devotional nature it contained satirical material which gave offence to the London civic authorities and Nashe was briefly imprisoned in Newgate. The intervention of Lady Elizabeth's husband
Sir George Carey gained his release.
He remained in London apart from periodic visits to the countryside to avoid the plague - a fear reflected in the play
Summers last will and Testament, written in the autumn of 1592.
William Sommers, whose comments frame the play, was
Henry VIII's jester. It includes the famous lyric:
» Adieu, farewell earths blisse,
This world uncertaine is, » Fond are lifes lustful joyes,
Death proves them all but toyes, » None from his darts can flye;
I am sick, I must dye: » Lord, have mercy on us.
In 1597, following the suppression of
The Isle of Dogs (co-written with
Ben Jonson), Jonson was jailed, but Nashe was able to escape to the country. He remained for some time in
Great Yarmouth before returning to London.
He was alive in 1599, when his last known work,
Nashes Lenten Stuffe, was published, and dead by 1601, when he was memorialized in a Latin verse in
Affaniae by
Charles Fitzgeoffrey.
He was featured in
Thomas Dekker's
News from Hell and referred to in the anonymous
Parnassus plays, of which the latter provides this epitaph:
» Let all his faultes sleepe with his mournfull chest
And there for ever with his ashes rest.
» His style was wittie, though it had some gall,
Some things he might have mended, so may all.
» Yet this I say, that for a mother witt,
Few men have ever seene the like of it.
Chronology of Nashe's works
He is also credited with the erotic poem
The Choice of Valentines and his name appears on the title page of
Christopher Marlowe's
Dido, Queen of Carthage, though there's uncertainty as to what Nashe's contribution was. Some editions of this play, still extant in the 18th century but now unfortunately lost, contained memorial verses on Marlowe by Nashe, who was his friend.
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